10/20/2023 0 Comments Editready time code infoA Sony rep told me they should hopefully have something by fall (2014) so I waited. The plan last summer was to get the X70 when it came out but it wasn’t FCP X friendly. Could there be some corporate gamesmanship going on here? Patent trading? A camcorder that can export easily to FCP X will obviously benefit from increased sales. In contrast, Apple keeps making a profit and has a huge pile of cash. That’s one reason Panasonic spun off JVC and I think Sony has spun off some of their company too. On top of all this, there are undoubtably contract agreements between companies (Apple and Sony in this case) and lawyers have a reputation for “time is NOT of the essence.” Anybody know if there is any money changing hands between the companies?įor the past few years both the Panasonic and Sony corporations have been bleeding financially. It takes time for applications to be tested so they’re as trouble-free as possible and all it takes is one good “gotcha” to go viral. There may well be an update to FCP X so it seems likely that all hands will be working to make sure all the releases are trouble-free and there won’t be any hic-ups to mar the WWDC show or the releases that come afterward. They’ll be rolling out new versions of iOS, OS X and who knows what else. Apple’s Developer’s Conference (WWDC 2015) will be in a little over a month on June 8. Head over to Divergent Media website for more information.Tagging onto what Paul said (post #77), there are probably other issues in the way of a quick fix for the importing problem. If you already have the previous iteration of the software installed on your Mac, you can upgrade to EditReady 2 for $19.99 or you can get the latest version for $49. I’m sure that many of you would prefer to work with the 10-bit GH5 natively in Premiere Pro CC as you’d normally do with an 8-bit material, but for now, transcoding seems to be the only viable option. Plus, you can run multiple batches within the EditReady interface, allowing you to simultaneously generate proxy media and online material, or convert footage from different cameras. The software supports a wide variety of formats available on cameras like the Canon C300, Sony F5, FS7 (XAVC), Panasonic HDC-TM900 or Sony NX5U (AVCHD), GoPro HERO5, DJI Phantom 4, Panasonic GH5, or Canon 5d Mark IV (MP4) and more. You can output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX or write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. The app also comes with a neat built-in player that can be utilized to preview your camera original media files before you transcode them. In addition, EditReady 2 allows users to re-size, rotate, re-time, and apply LUTs to their media as well as burn-in timecode, metadata, custom text and even images. The transcoding/rewrapping software is a fantastic tool that can not only handle GH5’s 10-bit files with ease but also can speed up transcoding of your media immensely over time. Until Adobe releases the imminent update of Premiere Pro CC that should permanently fix this incompatibility issue, you can use the latest version of EditReady app as an alternative solution. If you are predominantly using Premiere Pro CC as your main video editor and you still haven’t found an effective solution to transcode the tedious GH5 10-bit files to be able to edit them natively in your favorite Adobe NLE, seasoned professional Erik Naso has a simple and effective workaround in mind.
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